The Smart Way to (un)Retire
Faculty artists of the Arizona Wind Quintet return to the Arizona Senior Academy on Tuesday (March 20), playing music of Gunther Schuller, Paul Taffanel and Carl Nielsen. The concert begins at 11:30 a.m. Members of the quintet include Brian Luce
It is always a pleasure to welcome the Arizona Wind Quintet to the Arizona Senior Academy. Founded in 1975, the University of Arizona School of Music faculty ensemble’s roster has changed over the years, but the quality of musicianship and
Undergraduate and graduate members of the University of Arizona’s Betty Katzen Horn Studio will present a special concert at 4:00 p.m. Friday (Oct. 28) at the Arizona Senior Academy. Their ASA appearance is part of the 10 performers’ preparation for
The Arizona Wind Quintet, a long-time favorite of Arizona Senior Academy audiences, will return Tuesday (March 29) at 11:30 a.m. in the Great Room of the Academy. For this concert, they will add a special guest artist – UA Professor
The Arizona Wind Quintet, longtime favorites of Arizona Senior Academy concert audiences, will return Tuesday (March 24) for an 11:30 a.m. concert. This group consists of five wind professors from the University of Arizona School of Music: Brian Luce, professor
The UA Betty Katzen Horn Studio will present its fourth annual “Horn ensembles Large and Small” concert at the Arizona Senior Academy on Tuesday, January 28. The program, under the direction of Associate Professor of Horn Daniel Katzen, will include
The Arizona Wind Quintet, longtime favorites of Arizona Senior Academy concert audiences, will return Tuesday (Oct. 22) with a new member. Sara Fraker, UA professor of oboe and second oboe with the Tucson Symphony Orchestra, has replaced Neil Tatman, who retired
The great 19th Century French horn player Anton Horner once said, “God made some people Horn players; others are not so fortunate.” Members and guests of the Arizona Senior Academy (ASA) will hear some of the fortunate next generation horn
Daniel Katzen’s first encounter with the magnificent Brahms Horn Trio – the composer’s only chamber work for natural horn, violin and piano and a jewel of the chamber-music literature – was not auspicious. He essayed it as a high-schooler –